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​關照練習

第30屆台灣國際女性影展 國立陽明交通大學巡迴

台灣國際女性影展作為台灣在地影像與性別教育培力組織,帶動影像與媒體識讀與提昇性別意識、連結性別與社會運動,介紹各國女性影像創作者與創作史,探討性別形象與社會角色在電影中的多種呈現面貌等。三十年的策辦歷程,不僅譜寫台灣性別意識的光譜逐漸擴大的軌跡,亦揭示持續耕耘的課題。

 

國立陽明交通大學女性影展巡迴自2019年由動力影像實驗室啟動以來,曾以「性別、移民與女性主義影像創作」、「流移與交織」、「轉動歷史─重塑運動」、「革命繼續進行」,以及女性影像創作者專題,規劃放映與講座,邀請學者與創作者,透過不同主題開啟思辯與對話。選映電影含括多種影像類型與素材,期能啟發觀者以影像研究與創作深入探究當代社會與政治議題。

 

本屆巡迴影展於2023年10月31日至11月24日共舉辦五場放映。巡迴主題定名為「關照練習Times of Mutual Action, Times of Care」,從今年主影展「屬於我們的城市」、「即溶宇宙」、「移動身景:凝視、抵抗、創作與歌唱」、「直面記憶邊境」,與「重返新時區:三十週年特別企劃」單元中,特別聚焦關照(Care)作為今年的核心關懷,精心挑選短片與中、長片共十二部,希冀呈現諸般內在與外在關照的場景。在這些場景裡,有自我對於童年、家族、情感與生活的凝視,生命與創作的迴盪,性別對於規訓的抗衡,以及交纏於家庭與個人史、國族身份和社會體制中的個體如何重返記憶;在集體的觀影與對話之中形塑公眾領域,回觀性騷擾與性暴力史、探究歷史與社會的不正義,並接住彼此,修復自身,以行動關照自己與照護他人。

Times of Mutual Action, Times of Care

The 30th Women Make Waves International Film Festival, Taiwan - NYCU Tour

The Women Make Waves International Film Festival is one of Taiwan’s largest and most established organizations to promote gender awareness and engage with gender issues, education, theory, and activism. This year the festival is celebrating 30 years of screening, curation, discussion, and creativity centered around issues of gender, not only showcasing films by women from around the world, but also illuminating the writing of gendered social histories through film in Taiwan. Since 2019, Powered Image Working Lab has brought tours of the festival to Hsinchu, covering themes including “Displacements and Intersectionality,” “Blazing Histories: Movements Transformed,” and “The Revolution Continues.” Screenings, lectures, and discussions have enabled multi-faceted conversations exploring these topics across a variety of films, bringing together not only scholars and students across NYCU campuses, but also those involved in education and curation across Hsinchu.

 

This year’s NYCU tour runs from October 31st through November 24th, 2023, and includes a total of five screenings and 12 films across both Kuang-Fu campus and Hsinchu’s Jiang Shan Yi Gai Suo Cafe. Titled “關照練習Times of Mutual Action, Times of Care,” this tour features films from the Women Make Waves main festival categories of “Our Queer City,” “Reaching the Impossible,” “Everything Melts into One,” “Inner Landscape: The Art of Seeing, Singing, Making and Rebelling,” “Taiwan Competition,” and “Inventing the Time: 30th Anniversary Special Presentation.” From these categories, the selected films revolve around themes of family, childhood, life, affect, creativity, and the gendered structures and struggles within these. Reflecting on histories of sexual harassment and violence, this tour aims to bring attention to the interrelation of care and action: actions of social and political significance resonating and coalescing into forms of mutual care; individual gestures of self care, interpersonal care, and collective care developing into broader social movements and action. In these diverse visions of care and action, and in the communities created through sharing these films, the temporalities of everyday practices and unfolding social movements become connected by the fundamental struggles of care for the self, and care for others.

主協辦資訊

策畫與執行|動力影像實驗室

陽明交大巡迴主辦|台灣聯合大學系統文化研究國際中心、動力影像實驗室、國立陽明交通大學文化研究國際中心

協辦單位|江山藝改所

主辦單位|社團法人台灣女性影像學會、第30屆台灣國際女性影展

更多資訊|台灣國際女性影展官方網站 https://www.wmw.org.tw 

 

Planning & Organization|Powered Image Working Lab

NYCU Sponsored by|International Center for Cultural Studies, National Yang-Ming Chiao-Tung University  (ICCS-NYCU); Powered Image Working Lab (planning & organization); International Institute for Cultural Studies, University System of Taiwan (IICS-UST)

Sponsored by|Taiwan Women’s Film Association; The 30th Women Make Waves International Film Festival, Taiwan

Co-Sponsored by|Jiang Shan Yi Gai Suo Café (Hsinchu)

More information|Women Make Waves International Film Festival website: https://www.wmw.org.tw

海報 Poster

2023 Photos

照片 Photos

Eyeball Person

節目
Program

《眼球人》The Eyeball Person

1031場次1-眼球人.jpg

村岡由梨 Yuri MURAOKA

2023|日本|實驗|黑白&彩色|12分鐘|

12+輔導級

本片透過多元媒材的交織運用,以私影像入詩。全片由觀看的意象出發,從電車上痴男性暗示的視線到女性性自主的意識萌芽,從邪惡之眼到為人母看孩子的目光,視線的方向性連結疊合了母女各自的成長經驗與痛楚掙扎。從兒時記憶、性、成長、生育、育兒到生死之欲,向日葵的花落花開,緊緊嵌入燃燒之眼的意象,凝視的意義亦隨之更迭。同時,女兒如向日葵般掙扎生長茁壯,本片亦是導演獻給女兒的動人之作。

 

This film is about gazes and goodbyes. An attempt to weave a poem on personal experiences with images. The filmmaker realizes that living is suffering to see Nemu, one of her daughters, squirming with struggles, as if sunflowers squirm to bloom.

《夏日片羽》 Hummingbirds

艾斯黛芬妮亞「貝芭」孔特雷拉斯 Estefanía “Beba” CONTRERAS

希爾維亞・卡斯塔尼奧斯 Silvia CASTAÑOS

2023| 美國 |紀錄片 |彩色 |77分鐘 |6+保護級

 

 

德州,雷拉多市。摯友希爾維亞和貝芭共度最後一個夏日,之後他們將各奔前程。他們聊天歌唱,穿梭於酒吧、得來速、友人的沙發、城市與國境邊陲,在萬花筒般夢幻的影像背後是整個社群面對生存與未來的壓力;唯有在綿延的夏日裡,他們盡情享受延遲已久的青春叛逆,這是他們對墮胎禁令、移民政策、邊境管制的抵抗——讓今夏成為最好的時光。他們試圖捕捉最後的吉光片羽,二人在星夜與晨曦中幻想漫遊,屬於彼此的每一刻都充滿魔幻與詩意。

 

本片由希爾維亞和貝芭自導自演,拍攝時兩人年僅18、21歲,對於未來的想像正充斥各種矛盾與脆弱,兩人拍攝日常也生活在電影裡,只因那裡有光。製作團隊主要由女性/非二元性別、墨西哥裔美籍創作者組成,大部分皆為首次接觸電影,本片不僅僅是希爾維亞和貝芭即興出來的私電影,更是眾人以友誼支撐起彼此夢想的動人之作。

 

In Laredo, a city in southern Texas on the Mexican border, Silvia and Beba’s friendship blossoms into a kaleidoscope of conversation, laughs, and activist shenanigans as they spend one final summer together before they go their separate ways. Stuck in the immigration process in a politically divided America, home seems fragile. But their bond is not. The half-light is a space for poetry and dreams.

《蜜莉蘇坦多:想像的旅程》Milisuthando

蜜莉蘇坦多・邦格拉 Milisuthando BONGELA

2023 |南非、哥倫比亞|紀錄|彩色|128分鐘|0+普遍級

☆2023 日舞影展

☆2023 紐約新導演/新電影影展

☆2023 Sheffield Doc/Fest雪菲爾國際紀錄片影展

導演以自己的名字作為起點,親密的對話思辨穿插於靜態影像、歷史檔案、新聞影片、家族相片等多種媒材之間,講述自己身為一位南非黑人女性,出生在黑人分離主義政策下建立的川斯凱共和國的童年成長經歷。直到種族隔離政策結束,川斯凱共和國解體,他從純真世界醒來,才感受到從未意識到的種族歧視,黑人、白人身分——以及兩者之間的一切。在這部充滿詩意的慧黠之作中,導演在南非的過去、現在、未來追尋愛、親密關係、身分認同與歸屬。個人家庭回憶與國家命運交織在一起,不僅成就一部實驗散文式的私紀錄片,更挖掘出一段被遺忘的國族歷史。

 

Milisuthando is an experimental essay film which intertwines personal narrative with national history. Set in past, present, and future South Africa, an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn't know it was happening until it was over.

《成為家人的我們》Silent Love

馬瑞克.寇薩齊維茲 Marek KOZAKIEWICZ

2022|波蘭|紀錄|彩色|72分鐘|6+保護級

剛滿35歲的亞加和正值青春期的弟弟米沃什,兩人相互扶持走出喪母之痛,亞加毅然決然姊代母職,向法院爭取領養弟弟的權利。除了正在重建的新生活秩序,亞加也努力讓弟弟認識自己的同性伴侶瑪雅。然而,波蘭北方的保守小鎮,氛圍與亞加過往居住的柏林相差甚遠。牧師譴責同性婚姻,學校教導男同學「女生就是需要男生的保護」,耳濡目染之下,弟弟米沃什也會無心說出歧視話語。更不用說,波蘭同性婚姻不合法,亦不開放同性情侶領養小孩;亞加面對法官詢問領養弟弟的理由,也只能被迫隱瞞同性伴侶存在的事實。當他長居於柏林的伴侶,克服重重阻礙,來到波蘭與這一對姊弟相聚,面對生命的變動且努力蛻變的三人,是否可以戰勝現實的一切,終於成為一家人?

 

After their mother’s death, 35-year-old Aga starts to look after her teenage brother, Milosz. She starts playing the role of both mother and father to him, but there is one thing she isn’t telling him about: her long-term relationship with Maja. Will the three of them manage to build a new model of a family in the midst of a conservative and closed community?

《嘿!吉米》Hey Jimmy

宋明杰 SUNG Ming-Chieh

2004|台灣、英國|紀錄|彩色|16分鐘|6+保護級|女影三十周年特別企劃

 

 

吉米的父親是一個冷戰時期駐守台灣的美國黑人,其單親混血兒的背景,加上他變裝皇后的身分,使他一直在台灣社會邊緣遊走,卻有其獨特的生活方式。本片記錄下吉米與家人的日常,碰觸台灣社會中甚少被談論的種族議題,並揭開性別的另一種視角。

 

A short documentary about Jimmy, a black Taiwanese drag queen. The film considers the socio-cultural complexities of the protagonist's mixed parentage. With a contemporary urban narrative, it incorporates animation to create an affectionately comical insight.

《苦澀的九月》Bitter September

索菲亞・法蘭塔圖 Sophia FARANTATOU

2022|瑞士|紀錄|彩色| 26分鐘|6+保護級

 

九月是導演法蘭塔圖出生的月份,也是摯友札克離世的月份,尚未完成的紀錄片成為宣洩思念的出口。片中穿插主流媒體報導,以及法蘭塔圖為好友拍攝的影像,逐漸解開札克身亡之謎,同時看見雅典酷兒處境。對導演來說,札克不只是具有多重身分的性別倡議者,更是其心繫希臘的理由。

 

After the death of the Greek-American LGBTQ activist Zak, his childhood friend Sophia FARANTATOU returns to Greece. Between the mainstream media narrative and her own archive footage of Zak, FARANTATOU has no choice but to reflect on the meaning of memory. Only time can give her room to face the absence of her friend.

《LESVOS: 我們的家》Home Ground

權亞嵐 KWON Aram

2022|南韓|紀錄|彩色|77分鐘|6+保護級

 

1996年,南韓第一間女同志酒吧「LESVOS」於首爾新村正式開張。本片自2019年重啟的「LESVOS」啟程,道出五十年間首爾酷兒場景的興衰與演變。1970年代的「香奈兒茶坊」曾是女同志群體得以窩身的咖啡廳,因直到某日警方破門而入、媒體曝光撻伐,而因此銷聲匿跡。2000年初,更年輕一輩的女同志們以找到了新的去處——「新村公園」作為新據點。「LESVOS」的現任主理人明宇哥曾是「香奈兒茶坊」顧客,自七〇年代親身經歷女同志空間的更迭,二十餘年後這間酒吧佇立在新村曾經的公園據點對街,燈亮,就有人。而現今,在疫情的肆虐亦威脅著酒吧的存續,「LESVOS」有辦法度過難關嗎?

 

本片穿插珍貴的歷史照片、檔案影像、人物訪談,巧妙地將跨世代女同志匯聚於此時此地,以LESVOS為基點銜接南韓酷兒場景的過去、現在和未來。儘管時空背景早已不同,這些曾駐足於此的人們仍視其為接納自己以及形塑自我認同的「家」,小小空間納藏無數不為人知的精采軼事,故事由此開展。

 

“Chanel” in Myeong-dong in the 1970s was the secret hideout for Butches and Femmes. In 1996, young lesbians opened Korea's first lesbian bar, “LesVos.” In the early 2000s, queer teens seeking a community gathered in a small park in Sinchon. Myong-woo, who ran “LesVos” nearby, is still guarding the place 20 years later. As the coronavirus crisis hit, the bar has lost its customers. Will “LesVos” survive a they be able to protect the place during the coronavirus pandemicthis time?

《召喚(致芭芭拉)》Vever (For Barbara)

黛博拉・史察門 Deborah STRATMAN

2019|瓜地馬拉、美國|紀錄|彩色|12分鐘|0+普遍級

 

本片疊合兩位實驗先鋒的未完旅程/未竟之作:芭芭拉.漢默爾的瓜地馬拉摩托車之旅和瑪雅.黛倫在海地對於失敗、相遇和啟蒙的反思。本片是三位女性電影作者的跨世代影像對話,如同片名海地巫師召喚神靈的圖騰之意,將三代實驗創作能量在同一力場匯流。

 

A cross-generational binding of three filmmakers seeking alternative possibilities to power structures they’re inherently part of. The film grew out of abandoned film projects of Maya DEREN and Barbara HAMMER. A vever is a symbolic drawing used in Haitian Voodoo to invoke a Loa, or god.

《今日種種》Today

蘇・弗迪胥 Su FRIEDRICH

2022|美國|紀錄|彩色|60分鐘|0+普遍級

 

蘇・弗迪胥拿起攝影機拍下自己躺在床上的模樣,拍攝似乎能有助於專注在眼前所見,更加「活在當刻」;然而事實是,鏡頭捕捉到的,更恍如昨日種種的記憶縮影,提醒其所經歷的生命風暴,殘忍與柔軟。六年的時間跨度,驅動著衰老與失去、希望與連結,進而幻化為日常碎片的隨性漂移,在平凡日子包裹的輕盈中,得見生命最為內核的撼動。當個人所見向著世界緊密而生,路邊風景也能輕輕托住最為私密的情感。

本片為酷兒重量級實驗片導演蘇・弗迪胥最新力作,碎瑣的敘事旁白與跳躍的日常景致,與同樣述說親人題材的《無法訴說的羈絆》遙相呼應,在坦誠的自我揭露中窺見其獨有的慧黠與幽默,也再次展現私電影所能擁有的驚人力道。

 

Observing her world over a six-year period, choice morsels of documentary footage from the neighborhood of Bed-Stuy, Brooklyn, are augmented with wry observations and witty on-screen text in this casual, engrossing portrait of daily life. FRIEDRICH thought that using her camera to "live in the moment" would give her access to seeing the wonders of the world, but instead it meant she saw exactly what was in front of her, be it devastating or uplifting.

《Afterlife》

薛若儀 HSUEH Lo-Yi

黃聖鈞 HUANG Sheng-Chun

2022|台灣|紀錄、實驗|彩色|15分鐘|0+普遍級

 

金太郎原是一名造墓師,後來轉職打掃墓園。每天他都會到南山公墓,到太太的墳墓前除草。從他離開後,雜草逐漸漫過了墓碑、掩蓋太郎曾走過的小徑,墓園也少了定期整理的痕跡。 這天,金太郎從靈骨塔裡動身,一步步走回他待了大半輩子的南山公墓。

 

Jintaro transitioned from a tombstone maker to a cemetery cleaner due to many of the changes in burial practices. Sincehe passed away, no one has swept his wife’s tomb and the cemetery has overgrown with grass. . One day, Jintaro leaves the bone ash tower and returns to the Nanshan Cemetery where he spent most of his life....

《玫瑰的戰爭》The War of Roses

陳俊志 Mickey CHEN

2002|台灣|紀錄|彩色|60分鐘|0+普遍級|女影三十周年特別企劃

 

獻給所有曾盡己力,挺身反擊的姐妹們。1993年3月,北科大女學生挺身控訴教授性騷擾,婦女新知基金會號召社運團體與女研社共同組成小紅帽行動聯盟,陪伴當事人。1999年10月,出國參與國際會議的企業女總經理遭受同業男性主管言語性騷擾,充分暴露性別權力凌越專業能力的職場現況。2000年1月,長庚女護士勇敢揭露男醫師性騷擾惡行並狀告法院進行人格權訴訟,至此展開長達一年半的奮戰。2000年6月,工廠女工如廁遭偷窺,申訴未果,工作環境仍處處充滿敵意。四個身分不同、身處環境不同的女性,在遭遇性騷擾事件和面對龐大的共犯結構之時,卻歷經了相似的心路歷程,或可窺見其背後的性別權力關係與社會文化結構。

 

Dedicated to the sisters who fought back with the last strengths in them, The War of Roses documents the struggles and aftermath of four women in different environments that encountered sexual assaults, shedding light on the underlying structural violence sustaining the unequal power relations in gender.

《一代名妓—官秀琴》Memoir of Miss Kuan,
A Celebrated Sex Worker

鄭小塔 Zita JENG

2006|台灣|紀錄|彩色|16分鐘|6+保護級|女影三十周年特別企劃

 

1997年,時任台北市長的陳水扁為了討好中產階級選民,在府會藍綠兩黨惡鬥下,倉促廢除了公娼制度,近兩千名性工作者成為犧牲品,128名公娼開始了長達兩年的工作權抗爭。本名官秀琴的「官姐」是台灣妓運第一人,其痛苦深埋於與姐妹一同背負的家庭債務與政策壓迫之下,最終在清澈的海水中化為泡沫……

 

In 1997, the Taipei City Council abolished the Licensed Prostitute System without any compensatory measures. For over 2 years, Miss Guan was one of the leading figures that organized over 500 protests to defend the prostitutes’ work rights. Yet under huge pressure from their mounting debts and governmental crackdown, she finally threw herself into the ocean…

Hummingbirds
Milisuthando
Silent Love
Hey Jimmy
Bitter September
Home Ground
Vever
Today
Afterlife
The War of Roses
Memoir of Miss Kuan

場次資訊

Screenings

《眼球人》《夏日片羽》

時間|10/31 (二) 15:30-17:30 (15:15前請入座)

地點|陽明交通大學 光復校區 人社二館3樓 人文電影館

主持人|蔡華臻/國立陽明交通大學 社會與文化研究所助理教授、女性影像學會常務監事

The Eyeball Person | Hummingbirds

Time: 10/31 (Tue.) 15:30-17:30 (Please be seated by 15:15)

Venue: NYCU Cinema for the Arts, 3rd Floor, HA Building B, Kuang-Fu Campus

Moderator: Professor Hwa-Jen Tsai

(Institute of Social Research and Cultural Studies, NYCU;

Executive Supervisor, Taiwan Women’s Film Association)

《蜜莉蘇坦多:想像的旅程》

時間|11/07 (二) 15:30-17:30 (15:15前請入座)

地點|陽明交通大學 光復校區 人社二館3樓 人文電影館

主持人|蔡華臻/國立陽明交通大學 社會與文化研究所助理教授、女性影像學會常務監事

Milisuthando

Time: 11/07 (Tue.) 15:30-17:30 (Please be seated by 15:15)

Venue: NYCU Cinema for the Arts, 3rd Floor, HA Building B, Kuang-Fu Campus

Moderator: Professor Hwa-Jen Tsai

(Institute of Social Research and Cultural Studies, NYCU;

Executive Supervisor, Taiwan Women’s Film Association)

《成為家人的我們 》《嘿!吉米》《苦澀的九月》

時間|11/14 (二) 15:30-17:30  (15:15前請入座)

地點|陽明交通大學 光復校區 人社二館3樓 人文電影館

主持人|蔡華臻/國立陽明交通大學 社會與文化研究所助理教授、女性影像學會常務監事

Silent Love | Hey Jimmy | Bitter September

Time: 11/14 (Tue.) 15:30-17:30 (Please be seated by 15:15)

Venue: NYCU Cinema for the Arts, 3rd Floor, HA Building B, Kuang-Fu Campus

Moderator: Professor Hwa-Jen Tsai

(Institute of Social Research and Cultural Studies, NYCU;

Executive Supervisor, Taiwan Women’s Film Association)

《LESVOS: 我們的家》《召喚(致芭芭拉)》《今日種種》《Afterlife》

時間|11/23(四)13:30-16:30  (13:15前請入座)

地點|陽明交通大學 光復校區 人社二館3樓 人文電影館

主持人|蔡華臻/國立陽明交通大學 社會與文化研究所助理教授、女性影像學會常務監事

Home Ground | Vever (For Barbara) | Today | Afterlife

Time: 11/23 (Thurs.) 13:30-16:30  (Please by seated by 13:15)

Venue: NYCU Cinema for the Arts, 3rd Floor, HA Building B, Kuang-Fu Campus

Moderator: Professor Hwa-Jen Tsai

(Institute of Social Research and Cultural Studies, NYCU;

Executive Supervisor, Taiwan Women’s Film Association)

《玫瑰的戰爭》《一代名妓—官秀琴》

時間|11/24 (五) 19:30-21:00 (19:15前請入座)

地點|江山藝改所(新竹市東區興達街1號)

播放片單|《玫瑰的戰爭 The War of Roses》、《一代名妓—官秀琴 Memoir of Miss Kuan, A Celebrated Sex Worker》

主持人|戴瑜慧/國立陽明交通大學 傳播與科技學系副教授
蔡華臻/國立陽明交通大學 社會與文化研究所助理教授、女性影像學會常務監事

The War of Roses | Memoir of Miss Kuan, A Celebrated Sex Worker

Time: 11/24 (Fri.) 19:30-21:00 (Please be seated by 19:15)

Venue: Jiang Shan Yi Gai Suo Cafe (No. 1 Hsing-da Street, Eastern District, Hsinchu City)

Moderators: Professor Hwa-Jen Tsai

(Institute of Social Research and Cultural Studies, NYCU;

Executive Supervisor, Taiwan Women’s Film Association)

 

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