「動態影像與時間性的批評：亞洲電影裡的酷兒與群鬼」
電影講座
Media, Medium, Migration
SRCS Graduate Seminar, “Moving Image and Temporal Critique:
Queers and Ghosts in Asian Cinema” Film Forum
Title of the Forum｜Media, Medium, Migration
Time｜May 8th, 2025, 1:30 pm-4:20 pm
Venue｜F106A, Humanities Bldg.2, Guangfu Campus, National Yang Ming Chiao Tung University
Prof. Feng-Mei Heberer
(Associate Professor, Department of Cinema Studies, New York University)
She is the author of Asians on Demand: Mediating Race in Video Art and Activism. Most recently, Prof. Heberer programmed films with the Asian Film Festival Berlin, Dekoloniale/korientation e.V., and Saigon Experimental.
Sylvia Schedelbauer
(Director, Mother's Letter)
Born in Tokyo in 1973, Sylvia Schedelbauer (she) is a Berlin-based artist. Schedelbauer’s films negotiate the space between broader historical narratives and personal, psychological realms mainly through poetic manipulations of found and archival footage. (Schedelbauer will join the Q&A session online.)
Film Titles
Mother’s Letter (Sylvia Schedelbauer, 2024),
My Therapist Said, I am Full of Sadness (Monica Vanesa Tedja, 2024),
Dog Star Descending (Aykan Safoğlu, 2021),
Journey Inside a City (Sarah Munaf, 2022),
Into the Violet Belly (Thuy-Han Nguyen-Chi, 2022)
講座題目｜Media, Medium, Migration
日期｜5/8/2025 1:30 pm - 4:20 pm
地點｜國立陽明交通大學（光復校區）人社二館 F106A
Feng-Mei Heberer
（美國紐約大學馬丁斯高西斯電影學院 副教授）
紐約大學任教電影研究，著有Asians on Demand: Mediating Race in Video Art and Activism。近年來與柏林亞洲電影節、Dekoloniale/korientation e.V.、西貢實驗電影節等合作策展。
Sylvia Schedelbauer
（電影導演 母の手紙）
1973 年生於東京，現居柏林。其影片游走於歷史敘事與個人心理層面，透過詩意的拼貼影像與檔案素材進行敘事。
放映電影
母の手紙（母親的信）（Sylvia Schedelbauer, 2024）
我的治療師說：我充滿悲傷（Monica Vanesa Tedja, 2024）
狗星墜落中（Aykan Safoğlu, 2021）
迷霧城市（Sarah Munaf, 2022）
進入紫羅蘭的腹地（Thuy-Han Nguyen-Chi, 2022）
Sponsors and organizers｜
Institute of Social Research and Cultural Studies,
NYCU + Powered Image Working Lab (https://www.powered-image.xyz/)
Co-sponsors｜
Taiwan Women’s Film Association,
Women Make Waves International Film Festival,
Taiwan, and Goethe Institut-Taipei
主辦單位｜
國立陽明交通大學社會與文化研究所
動力影像實驗室 (https://www.powered-image.xyz/)
協辦單位｜
台灣女性影像學會
台灣國際女性影展
歌德學院（台北）德國文化中心
Asian Diaspora's Visual Sabotage
講者：Dr. Feng-Mei Heberer,
Associate Professor, Martin Scorsese Department of Cinema Studies, NYU
美國紐約大學 馬丁斯高西斯電影學院副教授
主持人：蔡華臻
國立陽明交通大學社會文化研究所 助理教授
時間：2024年10月3日（四）下午1:30 - 4:20
地點：人文社會學院三館 HC101
This talk explores how video art from the Asian diaspora complicates gendered and racialized projections of Asianness, with particular focus on the racial-gender imaginaries of post-Cold War neoliberal European. I take as my case study prominent artist Hito Steyerl’s “poor image” video practice, offering it as a form of visual sabotage that is not merely technological but also geopolitically informed. While critics have highlighted the ways in which Steyerl’s video work subverts the idea of indexical truth in the digital age, my interest lies in how the artist employs disruptive tactics in her work in ways that foreground historical demands for feminized and racialized servitude in the Asia Pacific.
海報 Poster
照片 Photos
